Caroline Wogan Durieux was born into a large Creole family in New Orleans
just before the turn of the 20th Century. In 1913, Caroline enrolled
at Newcomb College in New Orleans and studied with Ellsworth Woodward.
Upon completion of her studies at Newcomb, she obtained a scholarship
to the Philadelphia Academy of Fine Arts in 1917. Caroline had acquired
a great deal of training at both schools, but she did not meet success
until after she moved to Mexico City in 1926 with her new husband, New
Orleans exporter, Pierre Durieux.
In Mexico, Caroline met and worked with the Mexican Muralists, gaining
their respect as an accomplished an unique artist. In 1931, she was
urged by an art dealer to make lithographs of some of her satirical
drawings. Initially she was doubtful, but by 1935, Caroline's satirical
lithographs were being exhibited all around the city and drawing much
attention, especially by Diego Rivera, who painted a portrait of Caroline
in 1929 (on display at LSU's Tower Museum).
The Durieux's returned to Louisiana the next year where she found plenty
of inspiration for her satire, ranging from Mardi Gras and Bourbon Street
to the New Orleans aristocracy and clergy. Many of her best lithographs
were published in Richard Cox's 1977 book, Caroline Durieux: Lithographs
of the Thirties and Forties, which has recently sold at auction for
up to $300.
From 1938 to 1943, Caroline served as director for the Federal Art Project
for Louisiana and then became a professor of art at LSU, retiring in
1964. At LSU, she developed the electron print (utilizing radioactive
ink) with the Department of Nuclear Science in the 1950's and continued
to produce beautiful, more abstract lithographs. The Women's Caucus
for Art recognized her with national honors in the 1980's, and her work
continues to be sought after by collectors of Louisiana art.